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1. Gillian Fournier, Positive-Negative Design, cut paper , 7 x 7"
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1. Gillian Fournier, Positive-Negative Design, cut paper , 7 x 7"
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2. Alex Hill, Positive-Negative Design, cut paper, 7 x 7"
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3. Crystal Rowell, Transformation of Shapes, cut paper and ink, 7 x 7" each panel
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4. Katharyn Wonders, Transformation of Shapes, cut paper and ink, 7 x 7" each panel
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5. Elizabeth Cote, Transformation of Representational Shapes, ink, 5 x 3" each panel
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6. Crystal Rowell, Transformation of Representational Shapes, ink, 5 x 3" each panel
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7. Peter Fischer, All-Over Composition, ink, 9 x 8"
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8. Gillian Fournier, All-Over Composition, ink, 10 x 8"
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9. Peter Fischer, Pattern from Module, ink on vellum over paper, 10 x 10"
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10.Bethany deBettencourt, Pattern from Module, ink on vellum over paper, 10 x 10"
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11.Peter Fischer, Variation in Markmaking Self-Portraits, ink and collage, 17 x 11" each
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12.Amanda Come, Variation in Markmaking Self-Portraits, ink and collage, 17 x 11" each
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13.Katharyn Wonders, Variation in Markmaking, Self-Portraits, ink and collage, 17 x 11" each
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14.Bethany deBetterncourt, Study of Textures in a Work by Frida Kahlo, ink on vellum, 10 x 8"
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15.Elizabeth Cote, Study of Textures in a Work by Balthus, ink on vellum, 8 x 10"
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16.Crystal Rowell, Grid-Based Value Study of a Work by Grant Wood, acrylic, 10 x 8"
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17.Katharyn Wonders, Grid-Based Value Study of Work by Caravaggio, acrylic, 10 x 8"
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18.Bethany deBetterncourt, Final Project: Narrative, Photocollage, 12 x 20"
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19.Amanda Come, Final Project: Narrative, Photocollage, 20 x 20"
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20.Peter Fischer, Final Project: Narrative, Photocollage, 13 x 32"
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